No, it is not a subtle (and incorrectly spelt)
reference to this week’s equine activities in Galway, but rather a nod to the
exquisite woodcuts in this edition of Dante Alighieri’s La comedia (Venice : Francesco Marcolini, 1544). Three full-page woodcuts mark the beginning of each
book of the Divina commedia, with smaller woodcuts dispersed throughout, such
as this delightful detail from canto 23 of Paradiso:
|
Detail from: Paradiso, canto 23 |
Whilst the woodcuts are
unsigned, it has been suggested that the item’s printer Francesco
Marcolini
may have been the artist. A contemporary and friend of Titian (approximately
1488-1576), he was himself an accomplished artist.
|
Inferno, canto 23 |
If you would like to view/ consult this item, please
submit an online request or contact the staff of the Special Collections
Reading Room in the Hardiman Research Building at specialcollections@nuigalway.ie
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